The Beauty of Compost: Liz Brindley

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The Beauty of Compost is the first blog in a series of articles from the 14th edition of the SeedBroadcast agri-culture Journal.  Due to the rapidly changing and challenging times of COVID19 we have postponed the printing of this issue until later in the year but hope that you can access this poignant and timely edition on line and past issues here.  Thank you so much Liz for your contribution. The Beauty of Compost Liz Brindley Since I started farming a few years ago, I've been drawn to the colors, textures, and shapes found in a pile of compost. To me, this pile of scraps is an abundant heap of design elements waiting to be discovered. But recently, I've come to find that the beauty of the discarded runs deeper. The pile of compost I so admire starts with a seed planted in spring soil by eager hands worn and weathered from the time it takes to tend the land. This seed carries hope, intention, and the promise of possibility. As the season rushes forward and the days become longer and the sun hotter the seed turns into a sprout which turns into a gift of food from the earth. This food is harvested and transferred from farms to the familiarity of my kitchen where I create a pile of scraps as I peel back the coating on citrus and slip off skins of garlic to reveal the fruits I'm after, the essence I seek in a moment of eager hunger. This pile grows larger as I chop and cut and slice and sauté. Before I know it, a small mountain of fragments has formed and, in between my attention drifting from tasks that need tending to the food that is simmering, I've almost forgotten to pause to admire the pile of pieces before passing them back to the earth in a gift of reciprocity for the nourishment I've received. I must stop to recognize the beauty of these delicate remnants that were once encased in seeds held by the soil that became shells and skins holding produce in protective embrace. Without this moment of recognition, I can become so consumed with consumption that I forget to turn to compost to be reminded that creativity balances destruction. Without this recognition, I forget that I, too, am part of these cycles of shedding and releasing and ending to find new beginning. Without this recognition, I forget that what was used up can be useful for new life. As I scoop up the scraps to dump them into the compost, I'm reminded that transformation takes time. This compost will pass into the next version of itself in a process of patience sprinkled with parts of the past that no longer fit the present. The scraps seem to shift their shapes with an effortless ease that allows change to carry them back to their beginning. It is suddenly spring again, and I sprinkle the soil and seeds with this old life to form new life and continue on in connection with nature's cyclical rhythms. Liz Brindley is a Food Illustrator and Farmer in Northern New Mexico. Her mission is to help people more deeply connect with food through her design business, Prints & Plants. She is the recipient of a Scholastic National Gold Key Art & Writing Award, and her work as been exhibited in galleries across the United States.

The Beauty of Compost is the first blog in a series of articles from the 14th edition of the SeedBroadcast agri-culture Journal.  Due to the rapidly changing and challenging times of COVID19 we have postponed the printing of this issue until later in the year but hope that you can access this poignant and timely edition on line and past issues here. 

Thank you so much Liz for your contribution.

The Beauty of Compost

Liz Brindley

Since I started farming a few years ago, I've been drawn to the colors, textures, and shapes found in a pile of compost. To me, this pile of scraps is an abundant heap of design elements waiting to be discovered. But recently, I've come to find that the beauty of the discarded runs deeper.

The pile of compost I so admire starts with a seed planted in spring soil by eager hands worn and weathered from the time it takes to tend the land. This seed carries hope, intention, and the promise of possibility. As the season rushes forward and the days become longer and the sun hotter the seed turns into a sprout which turns into a gift of food from the earth.

This food is harvested and transferred from farms to the familiarity of my kitchen where I create a pile of scraps as I peel back the coating on citrus and slip off skins of garlic to reveal the fruits I'm after, the essence I seek in a moment of eager hunger. This pile grows larger as I chop and cut and slice and sauté.

Before I know it, a small mountain of fragments has formed and, in between my attention drifting from tasks that need tending to the food that is simmering, I've almost forgotten to pause to admire the pile of pieces before passing them back to the earth in a gift of reciprocity for the nourishment I've received.

I must stop to recognize the beauty of these delicate remnants that were once encased in seeds held by the soil that became shells and skins holding produce in protective embrace.

Without this moment of recognition, I can become so consumed with consumption that I forget to turn to compost to be reminded that creativity balances destruction. Without this recognition, I forget that I, too, am part of these cycles of shedding and releasing and ending to find new beginning. Without this recognition, I forget that what was used up can be useful for new life.

As I scoop up the scraps to dump them into the compost, I'm reminded that transformation takes time. This compost will pass into the next version of itself in a process of patience sprinkled with parts of the past that no longer fit the present. The scraps seem to shift their shapes with an effortless ease that allows change to carry them back to their beginning.

It is suddenly spring again, and I sprinkle the soil and seeds with this old life to form new life and continue on in connection with nature's cyclical rhythms.

Liz Brindley is a Food Illustrator and Farmer in Northern New Mexico. Her mission is to help people more deeply connect with food through her design business, Prints & Plants. She is the recipient of a Scholastic National Gold Key Art & Writing Award, and her work as been exhibited in galleries across the United States.